The Gateways Music Festival Orchestra is a 125+ member ensemble of musicians of African descent under the leadership of conductor Anthony Parnther. Aug 3 2019. To Learn More, Click Here Rochester, NY | APRIL 18-20, 2022 Festival Piano Recital 3 in C Minor and Sinfonia No. The conclusion of seven days of performances in New York City. Since 1995, Gateways Music Festival has brought together professional classical musicians of African descent in Rochester, NY to both celebrate the contributions and increase the visibility of. There's a great degree to which American orchestras and American so-called classic music generally has really kept its most powerful legacy at arm's length, which is the music of Black people and Black Americans. For 30 years, Gateway Music Festivals & Tours has led the music tour industry with seamless performance tours for choirs, orchestras, concert bands, jazz bands and marching bands. The festival has just grown and grown and grown since 1993, from that vision. Description. Best known popularly in the world these days is the music director for The Late Show With Stephen Colbert. This is a guy, Jeff, who is having a moment. That's an unfair question. That was our mentor's vision. You'll receive the most up-to-date information about our musicians, venues and performances delivered right to your email inbox. A terrific program today bookended by two sets of variations. Gateways Music Festival is grateful to the following institutions for their generous support and belief in Gateways important mission. When I got the call to be part of this momentous occasion tonight and the request was to write a piece that was inspired by a written word, this felt very apt. That type of dance and the music that accompanied it was so important that Florence Price actually gave that name, Juba, to the third movement of all of her symphonies. All rights reserved. May 12, 2021. Click on individual event for more information and to purchase tickets. 2023 New York Public Radio Gateways Music Festival's mission is to connect and support professional classical musicians of African descent and enlighten and inspire communities through the power of performance. The Brahms to begin, and then the Variations on ". " Gateways is an all-Black classical symphony orchestra created in 1993 by concert pianist and educator Armenta Adams (Hummings) Dumisani. with high distinction from the Eastman School of Music and M.M. Of course, that's not true. , the name of that piece. Founded in 1993, the Gateways Music Festival Orchestra celebrates the contributions of classical musicians of African descent, bringing together professionals from leading orchestras across the country to perform and inspire communities through the power of music. I think we rose to the occasion. Over the course of each six-day festival, the musicians give a full orchestral . Anthony: -on stage, certainly, but certainly I think this was the best possible opportunity to have my first outing with this great orchestra on this great occasion. The Orchestra made its stunning Carnegie Hall debut on April 24, 2022 as the first all-Black orchestra to be presented by the famed venue. I should have asked you that before this began, but I'll lay it on you anyway. General Admission. That was cemented well before I became involved. Our satisfied clients include youth, high school, college, university and adult groups, including church and alumni tours. She was part of the inaugural class of the Artist Propulsion Lab at WQXR. The concerts are free to attend. I believe she's 84-85 years old. You have to make it true. General Admission. [crosstalk]. I should have asked you that before this began, but I'll lay it on you anyway. The orchestra comes together and you just dig into the music. It can also serve as a beard or it can veil other, I think, less inclusive narratives. He resides in Los Angeles and Palm Springs. Jeff: It's wonderful to have you here. Although certainly, his most famous piece is the Lyric for Strings. That is the first time that piece has been played on stage here at Carnegie Hall, by an orchestra also making its Carnegie Hall debut in this special event. Gateways is receiving an $800,000 award from the. There are parts that are written out, and then, there are parts that he will improvise. John: In fact, the third movement is called Juba, which is a type of body percussion and dance that was widely found in musical traditions of enslaved Afro-Caribbean people. You've been in the Gateways Orchestra since the start. She was part of the inaugural class of the Artist Propulsion Lab at WQXR. Media Contacts: Dolores Orman, Gateways Music Festival, 585-271-5185, dolores.orman@gmail.com Jessica Kaufman, Eastman School of Music, 585-274-1057, jkaufman@esm.rochester.edu After a highly successful 2019 season, Gateways Music Festival in association with Eastman School of Music, announced today it will become an annual event starting in the fall of 2020. I can play jazz, but I can also play Beethoven.'" 230 were here. As you noticed, the audience responded in-hand to what they saw visual and it was just another extra element of all of these people on stage celebrating our heritage. It's our greatest cultural export as a nation. She climbed Mount Kilimanjaro five years ago. I suppose that Gateways is a little bit like that too because you don't get together very often. The Orchestra made its stunning Carnegie Hall debut on April 24, 2022 as the first all-Black orchestra to be presented by the famed venue. Enjoy the rest of your brief intermission. Jeff: The Gateways Music Festival Orchestra from Carnegie Hall Live. John: I think it's really interesting, Alex, that this idea that-- Representation, of course, is important, but this idea of the narrative of classical music is beyond race, is something universal. She created Gateways. John Schaefer's here as well. I can play gospel. He also told us they want to be a resource for the larger community. gateways music festival is changing the classical Music narrative "When Gateways musicians walk out on stage, a new line of inquiry - a new conversation - is opened with the audience before we even play a note because the backdrop of classical music is that this is a white art form. Best known popularly in the world these days is the music director for. There are some elements of truth to that, but what's happening in a concert hall is not just a celebration of Brahms and Walker and Batiste and Price, but it's also a celebration of the audience. Exactly. Since then, musicians have been eagerly performing this real treasure trove of music. That is as Lee Koonce told us again and again, that's one of the most important things that's happening here this afternoon. Jeff: From Carnegie Hall Live, the world premiere of I Can, composed by Jon Batiste and performed by him at piano and the Gateways Music Festival Orchestra, making its Carnegie Hall debut in this concert under the direction of conductor Anthony Parnther. At least that's the case with her first, third, and fourth symphony. He also told us they want to be a resource for the larger community. He is a resident member of the Jacksonville-based Ritz Chamber Players, The Harlem Chamber Players, Gateways Music Festival Orchestra, and innovative chamber music theater group the Core Ensemble. Conductor Anthony Parnther led this orchestra, all musicians of African descent, and The Variations on a Theme by Haydn as the work's known the music of Johannes Brahms. The project sought to, " . It's a world premiere. A A. ulang. The performance was the first by an all-Black classical symphony orchestra in Carnegie Hall's history. John: It turns out that Gateways isn't just an organization that serves musicians. The Gateways Music Festival Orchestra is a 125+ member ensemble of musicians of African descent under the leadership of conductor Anthony Parnther. The Orchestra made its stunning Carnegie Hall debut on April 24, 2022 as the first all-Black orchestra to be presented by the famed venue. Enjoy the show. Gateways Radio airs Friday evenings at 9 p.m. beginning on February 3. Alex: Yes. Anthony: Lift Every Voice and Sing. Thank you, gentlemen. Bach to the Future will perform with the Gateway Festival Orchestra 7:30 PM, Sunday July 10, Washington University Brookings Quadrangle. This is a guy, Jeff, who is having a moment. I'd love to see this orchestra personally go on tour so that audiences outside of New York State have the privilege of witnessing the power and beauty of such a special ensemble. Alex: Well, I think that's another thing we're saying about what do we think can and should happen in a concert that would be called classical and where is this music coming from and who are our composers. Kelly Hall Tompkins, the concertmaster giving the Gateways Music Festival Orchestra a chance to retune after that Brahms opening. I believe she's 84-85 years old. As you know, you're moving an orchestra or a music festival across a giant state like this is a big effort. This is the intermission of this concert, the Gateways Music Festival Orchestra. He . It's a real honor to be here with all of you and in my inaugural. Does that resonate with you? John: George Walker was the first Black composer to win a Pulitzer prize in music that was in 1996 for his piece Lilacs. Visit our website terms of use at www.wnyc.org for further information. conducting engagements include the Los Angeles Philharmonic, Philadelphia Orchestra, Atlanta Symphony, Chineke! Lee: I think it is very much Jon. The festival originated in Winston-Salem and then moved with our founder, Armenta Hummings Dumisani to Eastman where she was on faculty. Only one ticket is required for both the film screening and the lecture. to conclude and in between, four works by four composers of African descent that even if they weren't world premieres like Jon Batiste's work, were the first time they were being heard on the Carnegie Hall stage. The Walker in its own way is a set of variations as well. . The Gateways Music Festival, in association with Eastman School of Music, runs from Tuesday, August 6 through Sunday, August 11. [applause]. I'm sure she wouldn't mind me telling her age. It's thought to be an old Pilgrim chant known as, , but under any name, a virtuoso showpiece for the orchestra. As long as we stick to that principle, I think that's the vision. As you know, you're moving an orchestra or a music festival across a giant state like this is a big effort. 3. The Gateways Music Festival Orchestra, most of them at least are leaving the stage. It's an incredibly exciting week for all of us. It's a new work by Jon Batiste, the Grammy-winning pianist and band leader you may know from The Late Night with Stephen Colbert. Alex, thank you for stopping by. Gateways Radio features exceptional compositions and . WQXR is a proud media partner of the Gateways Music Festival 1,198 views Apr 19, 2022 On April 24, 2022, at 3pm WQXR is proud to present a live broadcast of the Gateways Music Festival. This performance is free and open to the public, but tickets are required. Gateways Music Festival is thrilled to announce that renowned Hollywood and symphony orchestra conductor Anthony Parnther will lead the Gateways Orchestra for its concerts in Rochester, NY and New York City, including the Orchestra's Carnegie Hall debut! Founded in 1993, the Gateways Music Festival Orchestra celebrates the contributions of classical musicians of African descent, bringing together professionals from leading orchestras across the country to perform and inspire communities through the power of music. He's also just won an Oscar-. We know that it is, and that's what we're doing. Here are your tickets. There were two halves to the concert, obviously before and after intermission. There was this outpouring of interest from all over the country. Proof of vaccination is required to enter Carnegie Hall and masks must be worn inside at all times. The Gateways Music Festival Orchestra makes history as the first all-Black orchestra to feature at Carnegie Hall in the venue's 130-year-history, Harlem World Magazine reports. Jeff: This is going to be quite a wonderful world premiere and a big occasion. << Galilee Chamber Orchestra. We're talking of the depression years in America, a work in four movements meant to evoke music from African American tradition. A Gateways Orchestra concert in New York City's famed Carnegie Hall will highlight the 2022 Gateways Music Festival, in association with Eastman School of Music, according to plans announced today. We'll hear her Symphony No.3, one of more than 300 compositions of hers, symphonies, concerto, chamber music, and choral music, most of which were lost for decades. This is Carnegie Hall Live. It's a work for piano and orchestra. Berry holds a B.M. Alex: Not since the start, but since 2001. PO Box . To many Black musicians, the Gateways Music Festival represents a welcome haven from the isolation many face in their working lives. The film screening and lecture are both free and open to the public, but tickets are required. From hall music by the late American composer, George Walker, his SinfoniaNo. We don't actually have a complete score for the second. Only one ticket is required for both the film screening and the lecture. That's a big step for us as well. 3 James V. Cockerham: Fantasia on Lift Every Voice and Sing. It is his heart. Gateways Music Festival Orchestra was founded in 1993 by prominent pianist and educator Armenta Adams Dumisani. GATEWAYS MUSIC FESTIVAL, INC.26 Gibbs Street, Box 58Rochester, NY 14604, info@gatewaysmusicfestival.org(585) 274-1170, Watch "Inspiring Through the Power of Performance". Free, but tickets are required.. Alcohol served. I think it is very much Jon. John: There were two halves to the concert, obviously before and after intermission. "The first time I played in an all-Black orchestra was at . The Brahms to begin, and then the Variations on "Lift Every Voice and Sing" to conclude and in between, four works by four composers of African descent that even if they weren't world premieres like Jon Batiste's work, were the first time they were being heard on the Carnegie Hall stage. "Oh, well this is classical music. New York Public Radio transcripts are created on a rush deadline, often by contractors. George Walker composed it in 2003. The Cleveland Orchestra. Of course, the orchestra, a whole bunch of people on stage, makes a great sound, gets a lot of attention, makes a big statement. It takes active participation to do that. [crosstalk]. They'll open the second half of the program with a big work by prolific American composer, Florence Price. It can also serve as a beard or it can veil other, I think, less inclusive narratives. She's never taken medication. This is Carnegie Hall Live, I'm Jeff Spurgeon joined by my colleague, John Schaefer. Applause is for Anthony Parnther now taking center stage here at Carnegie Hall, and beginning this concert by the Gateways Music Festival Orchestra with this work by Brahms, his variations on, Music of Johannes Brahms begins this concert by the Gateways Music Festival Orchestra in their Carnegie Hall debut. Female Speaker 2: Your tickets, please. Congratulations. The role this hall plays in this music is understood by all. , the Pixar film, and has also just won five Grammys, including Record of the Year at the most recent Grammy Awards just a few weeks ago. We principally had one and a half days to piece this work together. I asked him what was it like to be at Carnegie Hall. That is as Lee Koonce told us again and again, that's one of the most important things that's happening here this afternoon. They'll open the second half of the program with a big work by prolific American composer, Florence Price. Three-movement work played by the Gateways Music Festival Orchestra in their Carnegie Hall debut from Carnegie Hall Live. We understand its importance, so that's really significant. WEDNESDAY, APRIL 20, 2022 | 7:30 PM The 120-member Gateways Music Festival Orchestra, whose distinguished players hail from the nation's foremost orchestras and conservatory faculties, is renowned for its bold sound, exciting interpretations and uncompromising pursuit of artistic excellence. We should also mention Kelly Hall Tompkins, if that's a familiar name to our WQXR listeners, there's a good reason for that. George Walker composed it in 2003. I can play rap. That type of dance and the music that accompanied it was so important that Florence Price actually gave that name, Juba, to the third movement of all of her symphonies. Jeff: Absolutely. 3 of Florence Price, performed by the Gateways Music Festival Orchestra conducted by Anthony Parnther in the orchestra's Carnegie Hall debut and he first time that work has ever been performed at Carnegie Hall, written in the 1930s with help from the federal government, the WPA program at that time, Florence Price created this Symphony No. Mary also enjoys teaching private trumpet lessons with students from ages 10 - 94! Alex, thank you for stopping by. In May of 1912 at Carnegie Hall, where the stage welcomed a large ensemble of African American musicians, the Clef Club Symphony Orchestra. LEARN MORE Become a GFO Volunteer Help us serve the St. Louis community LEARN MORE Our Story It began on a barge in the Mississippi. I think we're really making some ground today in terms of that piece of it, in terms of, is this a space that celebrates and uplifts Black people, Black culture, not just Black performers. Jeff: Now, you, as a very busy conductor on sound stages in Hollywood, are accustomed to looking at a score and getting the musicians all organized and playing it. The all-Black Gateways orchestra makes its Carnegie Hall debut on April 24, after a week of events at Harlem's Abyssinian Baptist Church, the Schomburg Center for Research in Black Culture, and other key NYC cultural spots.The orchestra represents a supportive artistic home for its members, all of whom are professional classical musicians of African descent. What else is Gateways beyond this? Anthony has restored and performed orchestral works by Florence Price, Zenobia Powell Perry, Margaret Bonds, William Grant Still, Duke Ellington, and Samuel Coleridge Taylor. This artist has also appeared with: This artist not appeared with any other performers that we know of. Gateways Music Festival in association with Eastman School of Music announced on Dec 7th that Anthony Parnther will lead the Gateways Music Festival Orchestra at its eagerly anticipated performances at Kodak Hall at Eastman Theatre (April 20) and the Orchestra's Carnegie Hall debut (April 24).Known for his "charismatic, captivating conducting" (Los Angeles Times), Parnther takes the . This work that Jon Batiste is going to perform with the Gateways Music Festival Orchestra has that same kind of structure. Now, Batiste on his feet, really not moving away from the piano, receiving the applause from this audience and passing it on to all the members of the Gateways Music Festival Orchestra, and a deep bow from everyone on the stage. We exist outside of space, time or this place." 56a; George Walkers Sinfonia No. . KODAK HALL AT EASTMAN THEATREEastman School of Music60 Gibbs StreetRochester, NY. Michael Morgan, our late and beloved music director called Gateways family reunion with instruments and it feels just like that. -on stage, certainly, but certainly I think this was the best possible opportunity to have my first outing with this great orchestra on this great occasion. It's this kind of dual mission. GATEWAYS MUSIC FESTIVAL ORCHESTRAMichael Morgan, ConductorKodak Hall at Eastman Theatre60 Gibbs StreetSunday, August 1816, 201320154:00 p.m.Master of Ceremon. Tags: diversity, Eastman School of Music, Gateways Music Festival, performing arts, The Gateways Music Festival Orchestra made its Carnegie Hall debut on Sunday afternoon, April 24, with conductor Anthony Parnther (far right) and Grammy Award-winning pianist Jon Batiste (in gold). The Eastman School of Music was founded in 1921 by industrialist and philanthropist George Eastman (1854-1932), founder of Eastman Kodak Company. In May of 1912 at Carnegie Hall, where the stage welcomed a large ensemble of African American musicians, the Clef Club Symphony Orchestra. 2022 Gateways Orchestra 2022 Guest Artists & Chamber Music Musicians Gallery Listen Gateways Radio Stream . They're equally important to us. I mean, it certainly felt like a religious experience on stage with him without a doubt. My good friend Titus Underwood likes to often post the question to American orchestras, "Are we American orchestras or are we European approximations?" Join Terrance McKnight of New York Citys classical music station WQXR for an engaging conversation with Lee Koonce (president & artistic director of Gateways Music Festival), Ann Hobson Pilot (retired principal harp, Boston Symphony) and Titus Underwood (principal oboe, Nashville Symphony Orchestra). Next performances this artist is scheduled to appear at: This artist has no upcoming performances - yet! What was the idea there? THE COOPER UNIONFrederick P. Rose Auditorium41 Cooper Square (3rd Avenue at East 7th Street) New York, NY 10003. Then we'll proceed into the piece, I Can. Alex: Well, I think as artists in this music that's called classical, we have always felt that Carnegie is a place for us, but what we think is important is we know that there are audience members that, until we grace this stage, did not know that Carnegie was a place for them. Alex: Sure. *General admission. . I think that's really a significant thing that's happening right now in real-time. I think also really significant for us is this is the first time that the orchestra or the festival has toured, has branched out of being in one place. Another curtain call for Conductor Anthony Parnther. These and additional COVID-related policies can be found here. Anthony: Exactly. Anthony: I'm from the South, and I'm from the Baptist Church tradition, and Lift every voice and sing is sacred to my community. To come to a place where there are folks who've had a shared life experience, it's extraordinary for them. Instead of a minuet or scherzo with trio you got a Juba. Gateways Music Festival Orchestra Anthony Parnther, conductor Jon Batiste, piano and composer. Also particularly looking at it from the context of American orchestras. Anthony: I just feel that as musicians, our first responsibility is to come together and create beauty. GUEST ARTISTS: MARIAN ANDERSON STRING QUARTET92ND STREET Y | 7:30 PM, GATEWAYS BRASS COLLECTIVETHE METROPOLITAN MUSEUM OF ART | 5:30 PM, GATEWAYS PIANO QUARTETTHE MORGAN LIBRARY & MUSEUM | 7:30 PM, GUEST ARTISTS: HARLEM CHAMBER PLAYERS STRING QUARTETSCHOMBURG CENTER FOR RESEARCHIN BLACK CULTURE | 7:30 PM. Recent performances include Los Angeles; Washington D.C.; Toronto; Danbury, Connecticut; and an eight-concert Midwest tour. THE COOPER UNIONThe Great Hall Foundation Building 7 East 7th Street New York, NY 10003 Gateways Brass Collective, Gateways String Quartet, the Marian Anderson String Quartet and special guest artists perform in a joint concert featuring old and new-to-some chamber music repertoire. It turns out that Gateways isn't just an organization that serves musicians. Now, we spoke with Lee Koonce, who is the president and artistic director of the Gateways Music Festival, whom we had a chance just to say what Jon Batiste's piece that he had heard, and what we could expect. This concert is in fact part of his Perspectives series, but today's premier. Jeff Spurgeon: It was 110 years ago. 560 Music Center. We talked on Friday with Lee Koonce, the festival's president, and artistic director about exactly who it was, who started this whole Gateways thing, and what her vision has led to. The members of the Gateways Orchestra are heading back out on stage at Carnegie Hall. I agree with you when I saw the program that had been given to me. The Gateways Music Festival Orchestra makes its Carnegie Hall debut this month led by Anthony Parnther . 3; Florence B. Prices Symphony No. The concert concludes with James V. Cockerhams Fantasia on Lift Every Voice and Sing, a rousing and epic musical journey from Africa to the new world which has become the signature piece of the Gateways Orchestra. I love the way this harkens back to the days of Mozart and Beethoven, who would also write works that contained a great deal of written music finished for the players but also places for them to improvise. They were led by James Reese Europe, and they were one of the finest Black music ensembles to perform in Carnegie Hall and one of the first at that time. I suppose that Gateways is a little bit like that too because you don't get together very often. My good friend Titus Underwood likes to often post the question to American orchestras, "Are we American orchestras or are we European approximations?" He was known for his warm spirit and as a visionary behind the Gateways Music Festival, an event celebrating classical musicians of African descent. This April, the Gateways Music Festival Orchestra, comprised entirely of classical musicians of African descent, presents events around NYC, culminating with its eagerly anticipated Carnegie Hall debut on April 24. What's making the occasion even bigger is that they will be presenting a world premiere, a piece so new, the ink has barely dried on it. The performance was the first by an all-Black classical symphony orchestra in Carnegie Hall's history. Jeff: That's more than 20 years now. I think that's really a significant thing that's happening right now in real-time. In May 2016, Gateways Music Festival formally affiliated with the Eastman School of Music, a festival partner since 1995, but remains an independent non-profit organization. She had this great idea to provide a safe affirming space for classical musicians of African descent. Price, Corey Hunter, PhD*General admission. Pleasure to talk to you. When Gateways musicians walk out on stage, a new line of inquiry a new conversation is opened with the audience before we even play a note because the backdrop of classical music is that this is a white art form. Congratulations to you, Anthony Parnther, and to the Gateways Music Festival at an amazing week in New York in an amazing combination of this concert. It is interesting that you went to Mozart and Beethoven. John: Another curtain call for Conductor Anthony Parnther. That's a narrative that can be true, but it doesn't just happen. Copyright 2022 New York Public Radio. I wrote this poem in the summer of 2020. I asked him what was it like to be at Carnegie Hall. That's an unfair question. Today, 110 years later, another African American orchestra is making its first appearance on the stage of Carnegie Hall. Lee: It's this kind of dual mission. Since its founding in 1993, Gateways chamber music groups have performed in locations throughout the host city on the Friday night of the Festival. Development of the Orchestra, Music Appreciation, Bio-Musicology and Music Theory. The Sphinx Organization, based in Detroit, supports young Black and Latinx musicians, the Gateways Music Festival in Rochester features musicians of color from around the country, and the . As soon as we hear that cord progression, our congregation stands, and we sing. It's a big event for the members of the Gateways Music Festival Orchestra coming down to Carnegie Hall from their home in Rochester, in upstate New York. 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